Denser and Wackier - TV Tropes. The Tone Shift that a show goes through when its plots become increasingly exaggerated and cartoonish. Most often happens with shows whose initial premise is mundane, and ostensibly could take place in the real world, begin to gradually take in tropes from more elaborate genre fiction until the show is at a point where it no longer resembles its pilot episode at all. This is similar to Cerebus Syndrome, except that instead of working on tone this trope increases the density and zaniness of literal plot elements, often requiring a greater Willing Suspension of Disbelief and viewer concentration level in order to succeed. For a show that's losing appeal, it's much easier to instantly come up with wacky plot elements than it is to invest time in more complex character nuance. As with much Executive Meddling, this motivation doesn't exactly have much basis in reality — most long- running shows either don't undergo this process at all, or do so only when they're about to be canceled.

Etimologia del termine. La parola italiana libro deriva dal latino liber. Il vocabolo originariamente significava anche "corteccia", ma visto che era un materiale.

Oftentimes, fans appreciate good consistency in tone. His comics such as Osomatsu- kun, Moretsu Ataro, and Tensai Bakabon were always comedic (although Ataro was originally more dramatic), but they both started out as being down to earth, but gradually became more and more insane with nonsensical, slapstick- heavy gags.

In addition, this happened when all three promoted a Breakout Character and eventually pushed the main characters aside. The results are very funny, partly because of the dissonance.

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It says something when a character who is known for being just this side of possible evokes an . While the plots are no weirder than in the past, the new 1. Needless to say, it is a Broken Base with fans and is accused of trying to copy Yo- kai Watch. And it is.. but it's also the point where the show's slapstick silliness goes into overdrive, the monsters start becoming ludicrous, and the minions start becoming affable. While the manga does have lighthearted moments, they're a bit more grounded in reality than the anime's more over- the- top comedic parts. It starts out as a slice of life. After episode 7, being a Tokusatsu hero becomes Serious Business.

A comic book writer has acquired powers based on one's personality. Supreme points out that he's a British comic book writer, and he'll just grow more and more complex until he becomes a convoluted mess. This was likely a Take That!

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The first two issues are a Shallow Parody of comic books. From the third to fifth, the protagonists travel back in time looking after God, and then with someone who might be Him witness the origins of life, dinosaurs and primitive humans (with the first man being Wolverine) while spewing nonsensical . There's more of an emphasis on the comedy aspects of the story, Jack Burton is less Straight Man and more The Fool, the Masquerade is so paper thin that it seems everyone must be idiots for not noticing that magic and monsters are all around them, and Jack is able to screw with and get the better of the villains much more easily. Justified by the fact the anti- comic book crusade that led to The Comics Code forced DC to tone down the violence and the seriousness of the earlier years. The book focuses more on the Ragtag Bunch of Misfits and their misadventures than it does on the plot and silliness abounds.

While there are still plenty of reminders that this is set in the same universe as Transformers: Robots in Disguise and Transformers: Dark Cybertron, this is also a book where the universe gets saved thanks to a semi- colon, someone gets affected by a metafictional bomb that causes him to believe he's a comic book character, the crew reacts to unexpected time travel by watching Back to the Future, and having an existential crisis is considered a rite of passage. Joe works, the premise of Transformers vs. Joe feels very much like a Silver Age comic, including Jack Kirby- esque artwork.

Even at their silliest, they come nowhere near this Character Blog's wackiness. Said fanfics have Ed make several crossovers, Bowser eating somebody (usually Ronald Mc. Microsoft Office Small Business Edition Upgrade Browser here.

Donald), random characters saying ! Here's an example. As soon as Meg and Zack's daughter Maddie is born, several storylines became chock- full of elements regarding this trope, such as Maddie's future self, an entire chapter centered around the tank from the episode Hell Comes to Quahog, Peter and Zack switching minds, and the Corvette from Christine that becomes obsessed with Peter and tries to kill Lois. The story centers on the conflict between the . The story contains, in no particular order, magic gateways to other worlds, a legion of .

Yet it somehow all started with Club Penguin..? The first few chapters have plenty of wacky moments, and a few more strewn through the rest of the story. It is near ridiculously dense. Starkly different from the first movie, which was a musical adventure about hard times (i. The first two movies had a lot of comedy and their share of silly moments, but they didn't go too over the top. The plots were fairly serious and believable enough (well, as believable as one could get in a movie about talking animals).

Starting with . Even the scenes with Scrat have gotten more cartoony over the course of the films. As soon as the self- referential, potty- mouthed and pop- culture heavy Shrek became a mega Sleeper Hit, Dream. Works completely did away with the heavy stuff (as well as their traditional animation unit) and spent the better part of the Turn of the Millennium making the same movie over and over. After the Shrek saga declined, the studio attempted to remedy this with more sophisticated films like Kung Fu Panda and How to Train Your Dragon, (2.

Turbo being the only holdout). However, for well- reviewed these efforts were, audiences found many of these as too sentimental, heavily affecting its finances.

The studio put humor at the front once again(although far less gag- based) with Home, Kung Fu Panda 3 and Trolls. Eventually it was retooled into a goofy buddy comedy. And as seen on the movie's funny page, Tropes Are Not Bad. It's also this compared to the original Aladdin story. The DTV sequels where main characters Humphrey and Kate have had three pups, while still starting off fairly grounded in reality, gradually got less so until eventually, the movies carried increasingly odd and cartoonish plots revolving around slapstick, pop- culture references, ghosts, wolf real- estate, and even dinosaurs.

The second movie began to mix in more slapstick and cartoon- y elements, using over- the- top sets in place of actual locations and turning Bruce Campbell's Ash Williams from an everyday guy into a shotgun wielding quipmaster by the end of the movie. Then, in the third film, he's fighting cartoon skeletons and an evil undead version of himself in medieval Europe through the use of Three Stooges style slapstick and references to 5. The third movie had Rocky fighting Mr. Hip Hop Remixes. Tand. Hulk Hogan, while the fourth one starts with a robot at Paulie's birthday party. Then the series got serious again with Rocky V.

However, this movie isn't canon to the original book like the previous installments (each adapts a different half of the book). The Fast and the Furious was pretty much a straight cop drama that revolved around the world of street racing.

Starting with 2 Fast 2 Furious, the focus shifted to the cars themselves, to the point where The Fast and the Furious: Tokyo Drift was almost entirely about the racing. Then, with Fast & Furious, it took another change in tone, this time becoming an over the top action flick, while Fast Five somehow took it even further to the point where it was just another completely absurd action movie that's closer to something like The Transporter. Certainly a far cry from the first movie's original cop drama format. It gets even worse in the fifth movie, which goes to Russia and barely gives room for John to be a Deadpan Snarker. Gremlins 2: The New Batch, despite rated PG- 1.