Sketch To Vector – Smashing Magazine. In this post we will take a drawn design, scan it and clean it up in Photoshop, then trace it using the Live Trace feature in Adobe Illustrator. Live Trace was introduced in Adobe Illustrator CS2 but is still a powerful tool available in Illustrator CS5.

This process really gives an artist the freedom to digitally experiment with drawings of any kind. The vector art it produces can be used in numerous ways and is easily customized. Further Reading on Smashing. Mag: Link. My motivation for trying this was originally to make a “growing vine”- type animation in Adobe After Effects. I will show a link to the resulting animation at the end of this tutorial, but for now, let’s get started.

Scan And Clean Up Link. Scan your sketch and bring the image into Adobe Photoshop. Make sure that the image is Grayscale (Image . Begin by adjusting the image using Image . Clean the image using the Eraser Tool (E), trying to get the white areas as clean as possible. Paint the black areas, and alter or redesign any shapes so you are happy with the overall design. Cleaning up the image is important for getting a good trace in Illustrator.

There are a number of techniques that help get rid of unwanted specks and imperfections, here’s the method I used: Go to Select . Because we chose the Selection preview (and Invert is not selected), you will see the selected pixels as white, so white = selected. Using the Eyedropper Tool, zoom into your main drawing (Cmd/Ctrl + Scroll) so you can see the pixels you are selecting.

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View the results on the Color Range preview. Add to Sample and Subtract from Sample: Use these Eyedropper Tools (to the right of the main Eyedropper Tool) to select or take away from the preview image. If you have trouble areas, you can select the Localized Color Clusters box and this will help add or take away from localized areas (not the whole image).

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When you are happy with the selection, click OK; you should now see dancing ants. Make a new layer and click on that empty layer. Go to Edit . The result should be a much cleaner version of your image. It may take a few experimental tries, since every drawing is different. When you are done, save the image as a . PSD file (this is important for editing it later in Illustrator). Lastly, take the Eraser Tool (E) and separate parts of the image that run together, isolating each component image or shape that you want separated.

An alternative is to select small shapes with the Magic Wand Tool (W) and add a 2- 4 pixel white stroke (Edit > Stroke) to slightly separate shapes. This is to avoid having large groups of your drawing connected with anchor points when it is converted to vectors.

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View and Download ADOBE PAGEMAKER 6.5 training manual online. PAGEMAKER 6.5 pdf manual download. Photoshop is well known for its support for filters and actions, but there's a third way to increase the functionality of Adobe's image editing tool: scripts. 1 Min Illustrator & Photoshop Tutorials by Adobe Creative Cloud. When we started Abduzeedo we focused a lot on design tutorials, especially Photoshop tutorials. Indepth tutorials, training, techniques, and shortcuts for working with Adobe Photoshop and Lightroom.

There are methods to cut and separate these areas later (which will be explained), but it’s a good idea to try to achieve this early- on. Tracing In Illustrator Link. Open a document in Illustrator and place your clean PSD image. Click on the image to select. Click the small box to the right of the Live Trace button called Tracing Presets and Options and scroll down to Tracing Options.

Learn how to quickly remove a background in Photoshop using the Background Eraser Tool. Greg to Asher - Next afternoon. In this post we will take a drawn design, scan it and clean it up in Photoshop, then trace it using the Live Trace feature in Adobe Illustrator. Live Trace was. No-registration upload of files up to 250MB. Not available in some countries. Adobe Photoshop is a raster graphics editor developed and published by Adobe Systems for macOS and Windows. Photoshop was created in 1988 by Thomas and John Knoll.

Tracing options. The Tracing Options dialogue box will open. There are many preset selections to choose from but we’re going to use our own settings to get the best possible trace: Check Preview: Now you can see the effects live as you change the settings. Check Ignore White: Now the white background is not present. Set the Mode: Select Black and White.

Leave Raster set to No Image and Vector set to Tracing Results, and check Fills. Since you can see the results live, it helps to play with the settings a bit to get used to what effect they have. The way to think of the settings is that the left side (Adjustments) resembles Photoshop, and is conditioning the raster image before it is traced; the right side (Trace Settings) resembles Illustrator, and is taking the conditioned rasterized image and converting it to paths. Let’s look at what the most relevant settings do. Threshold: This value determines which pixels are white and which are black.

Any pixels lighter than the Threshold value are turned white and all pixels darker will become black. For instance, making the threshold higher means that more of the darker pixels will be included in the vector shape.

Blur: This blurs the original image before its traced, which helps smooth out jagged edges. Resample: This may come as a surprise to some, but with Live Trace, a higher resolution doesn’t necessarily translate to a better traced result. Peddlers License St Louis Mo Newspaper. In many cases, a high- resolution file can add unwanted complexity to a traced file. So play with this feature to see if your image might do better using a lower resolution. Path Fitting: The lower the number/setting, the tighter the image will be traced.

If it’s too low you could get a jaggy effect. The higher the number/setting, the smoother the effect, but you lose detail. Minimum Area: Defines the minimum area that will be traced, which helps get rid of the imperfections or “dirty” areas you don’t want to capture.

This setting determines the pixel minimum area, so anything smaller won’t be traced. Corner Angle: Sets the sharpness of the corner angles. The lower the number/setting, the sharper the corners. When you are happy with the settings, be sure to first Save Preset. This is on the right of the Tracing Options dialogue box and will come in very handy if you need to make some other changes before tracing again. Once you’ve saved, hit Trace. You will then need to hit the Expand button or Object .

Some shapes were unwittingly grouped together, despite my efforts in Photoshop to keep them separate. Luckily, should this happen, there are a few easy solutions. Revise the Original Image: It is easy to go back and quickly edit your image in Photoshop with a click of a button.

The Undo (Cmd/Ctrl + Z) command will need to be applied until you return to the raster image (hence saving the preset, so we can use it again here): 1. The Links panel. Go to the Links panel (Window > Links) and click on the little pencil icon in the lower right corner. It can now be instantly edited in Photoshop. When the editing is done, close the window and when prompted, choose to update/save the changes in Illustrator. You can now use your preset to re- apply the trace in Illustrator. Use the Knife Tool: Another solution is to simply use the Knife Tool (pictured above, it is part of the Eraser group on the tool bar) to cut grouped anchor points apart. It helps to View Outlines (Cmd/Ctrl+Y).

You can also hold down Alt to have the knife tool cut a straight line. Zoom in by scrolling while holding Cmd/Ctrl.

The Delete Anchor Point Tool (Pen Tool + minus sign) is another tool for deleting anchor points and separating grouped objects. The “Knife” tool. Live Paint (see “Inspirational Suggestions” section below): This feature doesn’t actually alter any of the vector groupings; instead it allows the coloring and texturing of any lines or shapes, regardless of how they are grouped. Reduce the Number of Anchor Points Link. Live Trace tends to produce an extraneous amount of anchor points in some places. To get rid of some of these we can use the Smooth Tool (pictured in the above image).

Click and drag to simplify and reduce the anchor points and to smooth curves. Touch- Ups Link. If some shapes did not trace properly (as with the circles in the example below), they can quickly be redrawn. It’s helpful to lock down the original raster art on the background at around 2. The final result. Animated Illustration. Design Techniques Link.

At this point you can alter, delete or add to your vector design as you creatively see fit. I experimented with patterns, textures and backgrounds. The main thing is that you now have your art in vector form and can easily alter it in many creative ways. Here are a few brief suggestions for techniques that are useful: Adobe Kuler Link. An extension handy for anyone using Illustrator, Adobe Kuler.

Photoshop CC new features . Copy and share content between artboards, and export them individually or several at a time. See how it works . Select from 4. 0 million assets, save your selection to your Creative Cloud Libraries, and then drag it into your project to use. See how it works . Plus, get better compression, advanced preview options that include canvas size, and enhanced asset extraction. It’s a modernized Save for Web experience.

See how it works . No more rasterizing effects or stacking in different layer groups. OS device previews.

Get precise, in- context, real- time previews of your mobile app and responsive web designs on actual i. OS devices. Adobe Preview CC is a native i. OS companion app that lets you seamlessly connect your devices to Photoshop over USB or Wi- Fi to view your designs as you work on them. See how it works . See your Healing Brush results in real time, and get Spot Healing Brush and Patch Tool results that are up to 1. CS6. Glyph panel to work better with glyphs. Designed much like the Glyph panels in Illustrator CC and In.

Design CC, the new Photoshop CC Glyph panel allows you to browse all the available glyphs in a font, view alternatives for currently selected glyphs, and access commonly used glyphs. More control when moving objects Adjust the scale and rotation of the object you’re moving or the area you’re extending thanks to Content- Aware Move and Content- Aware Extend improvements.

Precisely position your final object to match the scale and position of your image using Transform on Drop. Better panoramas with Content- Aware Fill. Check one box to have Content- Aware Fill automatically fill in the transparent edges of your stitched panoramas. Adobe Camera Raw 9. Remove or add atmospheric haze to your photos, and get more precise control over white and black levels when making local adjustments. Better viewing experience on Windows Hi. DPI displays. Photoshop CC for Windows now supports Hi.

DPI screens, so you get more pixels and sharper image displays. Previously released as a technology preview, Hi. DPI support now turns on automatically when the app detects a Hi. DPI screen. Simplified 3. D modeling. Easily reduce the resolution of 3. D models to boost Photoshop performance and to extend the reach of your high- quality 3. D content to tablets, smartphones, and other devices.

Automatic creation of bump maps from images. Automatically generate more accurate bump/normal maps from textures in photographs. Also, easily control the height and depth of the emboss/deboss generated from the bump/normal maps you add to the surface of 3. D models. Easier 3. D printing. Produce print- ready 3.

D PDF and SVX files, and submit print jobs to 3. D Hubs from directly within Photoshop CC for quick and easy access to local 3. D printing service providers. And so much more. Also includes: Improved behavior when moving layers, up to 8. D printing service providers, and more.

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